![]() ![]() I think this is an unfortunate omission that could be used for some sort of smart tool for midi. Right click is not used for any functions except opening context menus. ![]() I found it frustrating when using the draw mode, forgetting it was on, then accidentally drawing a note when I simply wanted to select something. Other DAWs have a smart tool that combines most operations with ease. Switching tools frequently for ‘drawing’ and ‘editing’ operations seems strange. Currently making your own patch maps is a pain. Patch editor is pretty cool, but unfortunately it would require some way to get patch maps from plugins to be truly useful. The text overlays when editing notes is nice, and smooth. ![]() Mixbus detects multiout instruments and gives you the option to allow mixbus to setup a one-to-many routing setup with busses for each output. Setting up instruments with multiple outputs is fairly simple during track creation. Note channel or setting specific time, velocity or pitch is done via an edit dialog that is accessed by a context menu or done through the list editor. Surprisingly useful when programming things like drum parts. There is an interesting ‘Transform’ dialog for logical/mathematical adjustment of various MIDI values based on other notes attributes, randomization or a specific value. A nice text overlay shows the velocity of the note that your mouse is currently hovering over.ĬC and similar data is represented as automation similar to any mixer parameter or plugin parameter. ![]() Instead in Mixbus you select the note(s) and use the mousewheel to adjust the velocity. Note velocity is not set with the common bar-graph or line-graph under the piano roll, like you see in other DAWs. The default note length is the grid value, and the note value can be changed by dragging the note length after clicking. This information disappears as you click and drag to input a note of a given length. Notes are input with the Draw tool, where you’re given a nice overlay of the current note name (with sharps…), MIDI note number, velocity and channel. When working in a region you are primarily either using “Draw mode” or “Internal Edit Mode”. View below for more information and to purchase the Burl Audio B32.Mixbus’s MIDI editing is tool based for editing note data. Use the B32 VANCOUVER in conjunction with the B1 Mic Pres, the B80 Mothership and the B26 Orca and you will achieve THE COMPLETE SOLUTION.Ĭheck out this video from Burl Audio for a comprehensive overview of this great 32 channel mix bus.Īlso, take a look at this interview of the Burl Audio B32 by Geoff Stanfield at TapeOp. With 32 input channels and switchable tonality, the B32 VANCOUVER will allow your mixes to thrive in depth, warmth and clarity. Adding gain boost with the BX5 will give your mixes that GLUE that you have been seeking ever since retiring your 2-track analog recorder. In addition to the BX5, the B32 VANCOUVER introduces a new concept to the summing amplifier, GAIN BOOST. Based on Burl Audio’s renowned discrete analog and class-A circuitry, the B32 Mix Bus employs both the transparency of the B26 Orca, plus the switchable tonality of the new Burl Audio BX5 output transformer. Burl Audio introduces its latest hot bed of creativity, the B32 VANCOUVER, a 32 channel mix bus. ![]()
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